My Life: Act 8: As We Stand Upon the Ledges of Our Lives
Scene 1: Summer Highland Falls. Post Election Company Number
Musical Stylings: Andrew Macdonald
Leyna:
They say that these are not the best of times
But they’re the only times I’ve ever known
And I believe there is a time for meditation
In cathedrals of our own
Tony:
Now I have seen that sad surrender in my lover’s eyes
And I can only stand apart and sympathize
For we are always what our situations hand us
It’s either sadness or euphoria
James:
So we’ll argue and we’ll compromise
And realize that nothing’s ever changed
For all our mutual experience
Our separate conclusions are the same
Johnny:
Now we are forced to recognize our inhumanity
A reason coexists with our insanity
Though we choose between reality and madness
It’s either sadness or euphoria
Laura:
How thoughtlessly we dissipate our energies
Perhaps we’ll help fulfill each other’s fantasies
And as we stand upon the ledges of our lives with our respective similarities
It’s either sadness or euphoria
My Life: Act 8: As We Stand Upon the Ledges of Our Lives
Scene: Don’t Ask Me Why: Rosalinda has her very last class at Colby. She takes one last visit to the Colby Museum of Art and grapples with the notion that it’s time to go.
Musical Stylings: Lily Borak
My Life: Act 8: As We Stand Upon the Ledges of Our Lives
Scene: She’s Right On Time For Me: Assuming Laura will be late for their dinner at the Italian Restaurant, James is pleasantly surprised to find Laura already awaiting at the restaurant and sings the opening of She’s Right On Time For Me upon arrival.
James
She’s just in time for me
She’s right on time
She’s right where she should be
She’s right on time
Laura’s Jacket
Laura’s creative outlet throughout the semester
My Life: Act 8: As We Stand Upon the Ledges of Our Lives
Scenes of an Italian Restaurant: Laura and James run into Brenda and Eddie, both on the girls and boys hockey teams. Instead of lamenting over their respective cancelled seasons, they have organized an exhibition match where the boys and girls hockey teams play each other. Laura proclaims she wouldn’t miss the match for the world. Brenda gifts Laura a Colby Mules Hockey patch for her jean jacket, highlighting how one of the best parts of going to a school as small as Colby, is befriending people totally different from you.
Piano: Alex Palantoni Saxophone: Danny Little
My Life: Act 8: As We Stand Upon the Ledges of Our Lives
Scene: Say Goodbye To Hollywood: The college enters into code orange, leaving Foss dining hall closed for the remainder of the semester. Bobby lobbies to keep the exhibition up longer, but is met with little success. Tony, finally getting involved on campus, helps him sell the rest of the masks and they manage to raise a thousand dollars selling masks outside the exhibition, in the last week before the dining hall closes. Tony takes a drive through town and reflects on the end of the semester.
Musical Stylings: Emily Grace
Tony
Bobby’s driving through the city tonight
Through the lights
In a hot new rent a car
He joins the lover in his heavy machine
It’s a scene down on Sunset Boulevard
Johnny’s taking care of things for awhile
And his style is so right for troubadours
They got him sitting with his back to the door
Now he won’t be my fast gun anymore
Moving on is a chance that you take every time
You try to stay together
Say a word out of line and you find
That the friends you had are gone
Forever, forever
So many faces in and out of my life
Some will last, some will just be now and then
Life is a series of hellos and goodbyes
I’m afraid it’s time for goodbye again
My Life: Act 8: As We Stand Upon the Ledges of Our Lives
Scene: Miami 2017: Sung by Laura solo at Bixler Piano. After James’s advice to modify her musical, Laura laments over the lights being off on Broadway and how the world is both exhilarating and terrifying and commits to writing her Billy Joel musical about her life.
Musical Stylings: Eshani Chakrabarti
Laura
I’ve seen the lights go out Broadway
I saw the Empire State laid low
And life went on beyond the Palisades
They all bought Cadillacs
And left there long ago
They held a concert out in Brooklyn
To watch the island bridges blow
They turned our power down
And drove us underground
But we went right on with the show
I’ve seen the lights go out on Broadway
I saw the ruins at my feet
You know we almost didn’t notice it
We’d seen it all the time on Forty second street
They burned the churches down in Harlem
Like in that Spanish civil war
The flames were everywhere
But no one really cared
It always burned up there before
I’ve seen the lights go out on Broadway
I saw the mighty skyline fall
The boats were waiting at the battery
The union went on strike
They never sailed at all
They sent a carrier out from Norfolk
And picked the Yankees up for free
They said that Queens could stay
And blew the Bronx away
And sank Manhattan out at sea
You know those lights were bright on Broadway
That was so many years ago
Before we all lived here in Florida
Before the Mafia took over Mexico
There are not many who remember
They say a handful still survive
To tell the world about
The way the lights went out
And keep the memory alive
My Life: Act 8: As We Stand Upon the Ledges of Our Lives
Scene: We Didn’t Start the Virus: Laura’s version of We Didn’t Start The Fire, recounting the pandemonium of 2020, her first step in telling the tale of what it’s like to go to college during Covid, all to the songbook of her favorite musician.
We Didn’t Start The Virus
Fires in Australia
Erdogan in Libya
Taal Volcano, Murder Hornets
Impeachment #3
Drone Strike in Baghdad
Kills Soleimani In Iran
First Gibralter gone away
EU loses UK
[MUSIC BREAK]
Hurricane, Cyclones,
Earthquake in Mexico
Poland’s new abortion law
Fighting in the Karabakh
WHO names COVID 19,
ITALY IN QUARANTINE
A million cases worldwide
US in a great divide
We didn’t start the virus
Though it keeps on spreading
But the world’s not ending
We didn’t start the virus
In a global crisis a vaccine is priceless
Blue Lives Murdered George Floyd
Black Lives Matter: Worldwide
No Justice For Breonna Taylor
Tear Gas Photo Ops
Buttigeg, Klobuchar
Warren, Yang not going far
Bernie Sanders runs again
Kanye is a write In
Flash Floods in Somalia, Fires in California
Market Drops, Oil Flops
Cancel College. Flights are stopped
Explosions in Lebanon
Almost a million people gone
Masks required everywhere
No one really seems to care
We didn’t start the virus
Though it keeps on spreading
But the worlds not ending
We didn’t start the virus
In a global crisis a vaccine is priceless
Little Richard
Peter Green
Santana from Glee
Black Panther/ James Bond, John Lewis also gone
Van Halen RIP
And the host of Jeopardy
Nick Cordero, RBG
Gianna and Kobe
[MUSICAL BREAK]
All states are locked down
Harry and Meghan leave the crown
Presidential sex crimes
Friends only on facetime
Epstein, Weinstein
We are still in quarantine
Ghislaine Maxwell
Slow the the curve not going well
We didn’t start the virus
Though it keeps on spreading
But the world’s not ending
We didn’t start the virus
In a global crisis a vaccine is priceless
Stadiums are empty
NFL and MLB
NBA in a bubble
Tokyo Olympic trouble
Putin, Xi and Modi
Boris Johnson, Bibi
China gives the go ahead
IS Kim Jong Un Dead?
Biden is the nominee
With Kamala aunty
Fighting for the nation’s soul
And congressional control
We didn’t start the virus
Though it keeps on spreading
But the world’s not ending
We didn’t start the virus
In a global crisis a vaccine is priceless
Elon wants to go to mars
Pivot from electric cars
Naming babies after numbers
X-ASH- A12
Baby Yoda, Tiger King
Zoom weddings are thing
Social distance on the bus
Hamilton’s on Disney plus
Dr. Fauci is a friend, Taylor Swift does it again,
Second surge is on the way, looks like masks are here to stay
Scene: Captain Jack: Tony decides to quit school frustrated with how things worked out with Leyna, thinking he wasn’t good enough. Goes into Zanzibar for a drink.
Vocals: Corey Hales Piano: Ches Primo
Tony
Saturday night and you’re still hangin’ around
Tired of living in your one horse town
You’d like to find a little hole in the ground
For awhile
Captain Jack will get you high tonight
And take you to your special island
Captain Jack will get you by tonight
Just a little push, and you’ll be smilin’
Your sister’s gone out, she’s on a date
You just sit at home and masturbate
Your phone is gonna ring soon
But you just can’t wait
For that call
So you stand on the corner in your New English clothes
And you look so polished from your hair down to your toes
Ah but still your fingers gonna pick your nose
After all
So you got everything, ah, but nothing’s cool
They just found your father in the swimming pool
And you guess you won’t be going back to school
Anymore
So you play your albums, and you smoke your pot
And you meet your girlfriend in the parking lot
Oh but still you’re aching for the things you haven’t got
What went wrong
And if you can’t understand why your world is so dead
Why you’ve got to keep in style and feed your head
Well you’re 21 and still your mother makes your bed
And that’s too long
My Life: Act 7: Just The Way You Are
SCENE Goodnight Saigon: Scene between Tony and John at the bar who gives him some much needed advice
Tony
Hey Serg. How about a long island iced tea?
Sergeant O’Leary
Seems a little early for that.
Tony
I’m in a New York State of Mind.
Sergeant O’Leary
Shouldn’t you be in school?
Tony
Nah I’m not going back. College is a scam anyways.
Sergeant O’Leary
Is that so?
Tony
Yeah I guess I’ll just move home. Davy made a good case for setting off at sea.
Sergeant O’Leary
Seems like you got it all figured out.
Tony
I just don’t want to end up like my old man stuck in this town. Just to end up face down in the swimming pool.
Sergeant O’Leary
This place ain’t so bad.
Tony
I’d like to be just about anywhere but here right about now .
Sergeant O’Leary
I probably would’ve done anything to get to go home when I was your age.
Tony
You were my age?
Sergeant O’Leary
Ya wiseguy. Ever been to Saigon
Tony
I didn’t know you fought in the war?
Sergeant O’Leary
I don’t know how you’d really call it a war. We were a bunch of kids, just about your age, who didn’t know what we signed up for.
Tony
You enlisted in Vietnam?
Sergeant O’Leary
We didn’t sign up to murder Vietnamese people if that’s what your asking.
Tony
They call it Ho Chi Minh City these days.
Sergeant O’Leary
See this is why you go to college.
Tony
College isn’t for everyone.
Sergeant O’Leary
You know how many people come in here tell me their problems every goddamn day.
Tony
You’re wise beyond your years Srg.
Sergeant O’Leary
Wait till you’ve been disappointed a few more times in your life.
Tony
Why is this such a big deal to you? It’s not like you went to school.
Sergeant O’Leary
We sent our friends home in body bags. We would’ve given anything to go to school.
Tony
Why are you telling me this?
Sergeant O’Leary
Because you’re wasting it Tony! A lot of people are losing their lives.
Tony
To COVID?
Sergeant O’Leary
You’re a fool if you waste a minute of time.
My Life Act 7: Just The Way You Are
Scene: Goodnight Saigon: Sergeant John O’Leary’s response to Tony quitting school. He talks about Vietnam and all his friends that didn’t come back. He reassures Tony that these are just patterns and processes through history.
Sergeant John O’Leary
We met as soulmates
On Parris Island
We left as inmates
From an asylum
And we were sharp
As sharp as knives
And we were so gung ho to lay down our lives
We came in spastic
Like tameless horses
We left in plastic
As numbered corpses
And we learned fast
To travel light
Our arms were heavy
But our bellies were tight
We had no homefront
We had no soft soap
They sent us playboy
They gave us bob hope
We dug in deep
And shot on sight
And prayed to Jesus Christ
With all of our might
We had no cameras
To shoot the landscape
We passed the hash pipe
And played our Doors tapes
And it was dark
So dark at night
And we held onto each other
Like brother to brother
We promised our mothers we’d write
My Life: Act 7: Just The Way You Are
Scene: Tell Her About It: Tony runs into Johnny and Bobby at the bar who tell him to get his act together to win Leyna back and that they might be able to finagle it such that Colby will pay for his MBA if he finishes his work study.
Musical Stylings: Spencer Evett
My Life: Act 7: Just The Way You Are
Scene: Just The Way You Are: Tony returns to school running straight to the post office telling Leyna about the MBA program and to his surprise she’s just happy he’s back. She’s content collecting knowledge and doesn’t even know what she wants to be when she grows up anyways! Duet sung by Leyna and Tony
Duet: William Oliver and Anisha Chakrabarti
Leyna
Don’t go changing to try and please me
You never let me down before
Tony
Don’t imagine you’re too familiar
And I don’t see you anymore
Leyna
I wouldn’t leave you in times of trouble
We never could have come this far
I took the good times; I’ll take the bad times
I’ll take you just the way you are
Tony
Don’t go trying some new fashion
Don’t change the color of your hair
Leyna
You always have my unspoken passion
Although I might not seem to care
Tony
I don’t want clever conversation
I never want to work that hard
I just want someone that I can talk to
Leyna
I want you just the way you are
Tony
I need to know that you will always be
The same old someone that I knew
What will it take till you believe in me
The way that I believe in you?
Leyna
I said I love you and that’s forever
And this I promise from the heart
I could not love you any better
I love you just the way you are
My Life: Act 7: Just The Way You Are
Scene: Christie Lee: Rosalinda’s Graduation Party
Josephine
We couldn’t be prouder of you Rosalinda
Leyna
A covid graduation is memorable if anything.
Rosalinda
It means the world that you guys would pull something like this together.
Leyna
I bet you won’t miss the paper thin walls.
Laura
What’s she on about?
Josephine
There’s this guy who practices his saxophone each night.
Rosalinda
There’s this one song that he plays that Leyna can’t get enough of.
Leyna
It’s true we’ve decided to embrace it.
Laura
What’s the song called?
Rosalinda
It’s called Christie Lee!
My Life: Act 7: Just The Way You Are
Scene: I’ve Loved These Days: Leyna laments over her friends leaving. While Rosalinda is graduating, Leyna still has time left. In spite of the pandemic, Leyna finds she has loved these days.
Got a call from an old friend we’d used to be real close
Said he couldn’t go on the American way
Closed the shop, sold the house, bought a ticket to the west coast
Now he gives them a stand-up routine in L.A
Johnny.
I don’t need you to worry for me ’cause I’m alright
Tony
I don’t want you to tell me it’s time to come home
Bobby
I don’t care what you say anymore this is my life
James
Go ahead with your own life leave me alone
Johnny
I never said you had to offer me a second chance
Tony
I never said I was a victim of circumstance
Bobby
I still belong
James
Don’t get me wrong
Laura
And you can speak your mind
But not on my time
They will tell you you can’t sleep alone in a strange place
Then they’ll tell you can’t sleep with somebody else
Ah but sooner or later you sleep in your own space
Either way it’s O.K. you wake up with yourself
Johnny
I don’t need you to worry for me ’cause I’m alright
Tony
I don’t want you to tell me it’s time to come home
Bobby
I don’t care what you say anymore this is my life
James
Go ahead with your own life leave me alone
Johnny
I never said you had to offer me a second chance
Tony
I never said I was a victim of circumstance
Bobby
I still belong
James
Don’t get me wrong
Laura
And you can speak your mind
But not on my time
I don’t care what you say anymore this is my life
Go ahead with your own life leave me alone
Carter Wynne Original
Map of Colby
Cartography by Thomas Phelps
My Life: Act Six: She’s Got A Way
SCENE TWO: A Matter Of Trust: Duet between James and Laura deciding to stick it out.
Musical Stylings: Anisha Chakrabarti
James
One, two, one, two, three, four
Some love is just a lie of the heart
The cold remains of what began with a passionate start
Laura
And they may not want it to end
But it will it’s just a question of when
I’ve lived long enough to have learned
The closer you get to the fire the more you get burned
James
But that won’t happen to us
Cause it’s always been a matter of trust
I know you’re an emotional girl
It took a lot for you to not lose your faith in this world
I can’t offer you proof
But you’re going to face a moment of truth
Laura
It’s hard when you’re always afraid
You just recover when another belief is betrayed
James
So break my heart if you must
It’s a matter of trust
You can’t go the distance
With too much resistance
I know you have doubts
But for god’s sake don’t shut me out
Laura
This time you’ve got nothing to lose
You can take it, you can leave it, whatever you choose
I won’t hold back anything
And I’ll walk away a fool or a king
James
Some love is just a lie of the mind
It’s make believe until its only a matter of time
Laura
And some might have learned to adjust
But then it never was a matter of trust
James
I’m sure you’re aware love
We’ve both had our share of believing too long
When the whole situation was wrong
Laura
Some love is just a lie of the soul
A constant battle for the ultimate state of control
After you’ve heard lie upon lie
There can hardly be a question of why
James
Some love is just a lie of the heart
The cold remains of what began with a passionate start
But that can’t happen to us
Cause it’s always been a matter of trust
Laura
It’s a matter of trust
It’s always been a matter of trust
James
It’s a matter of trust
Cause it’s always been a matter of trust
My Life: Act Six: She’s Got A Way
She’s Got a Way: Duet between Rosalinda and girlfriend Josephine
Musical Stylings: Sam Lee and Sydney Ku
SCENE THREE: Rosalinda and her girlfriend Josephine celebrate their success.
Rosalinda
I’m sorry about the mix up with your absentee ballot. I had to clear something up at Zanzibar with this kid from the concert.
Josephine
It has been total pandemonium as of late, so I don’t blame you for the mixup. ColbyVotes made voting in person exceedingly easy with the shuttle outside the Spa all day: chock full of snacks and hand warmers
Rosalinda
We can use those for skating on Johnson Pond before climbing night!
Josephine
Speaking of climbing: The pants are finally coming out!
Rosalinda
Ruggette: Strong gear for strong womxn
Josephine
It just feels as if womxn have been traditionally excluded from the outdoor industry.
Rosalinda
We’ve always had to shop in the men section for better gear options
Josephine
Ruggette was founded with the goal of promoting gender equity in the outdoors by providing gear for every kind of womxn.
Rosalinda
It’s as if women who love the outdoors have been pushed to turn away from traditional norms of femininity, in order to be accepted as rugged.
Josephine
Ruggette has a better ring to it anyways
Rosalinda
And you can’t beat that new charcoal color.
Josephine
I can’t believe you managed to release the pants amidst the pandemic.
Rosalinda
I couldn’t have done it without you
My Life: Act Six: She’s Got A Way
SCENE FOUR: All For Leyna: Sung by Tony after being stood up by Leyna at Zanzibar. He returns back home in frustration.
Bass Man: Johnnie Gilmore
Tony
She stood on the tracks Waving her arms Leading me to that third rail shock Quick as a wink She changed her mind She gave me a night That’s all it was What will it take until I stop Kidding myself Wasting my timeThere’s nothing else I can do ‘Cause I’m doing it all for Leyna I don’t want anyone new ‘Cause I’m living it all for Leyna There’s nothing in it for you ‘Cause I’m giving it all to LeynaWe laid on the beach Watching the tide She didn’t tell me there were rocks Under the waves Right off the shore Washed up on the sand Barely alive Wishing the undertow would stop How can a man take anymoreThere’s nothing else I can do ‘Cause I’m doing it all for Leyna I don’t want anyone new ‘Cause I’m living it all for Leyna There’s nothing in it for you ‘Cause I’m giving it all to LeynaI’m failing in school Losing my friends Making my family lose their minds I don’t want to eat I don’t want to sleep I only want Leyna one more timeNow I’m in my room Watching the tube Telling myself she still may drop Over to say She’s changed her mind So, I wait in the dark Listening for her Instead of my old man saying stop! Kidding yourself Wasting your timeThere’s nothing else I can do ‘Cause I’m doing it all for Leyna Don’t want anyone new ‘Cause I’m living it all for Leyna There’s nothing in it for you ‘Cause I’m giving it all to Leyna All for leyna All for leyna
My Life: Act Six: She’s Got A Way
SCENE FIVE: The Entertainer: After Johnny and the band complain to Mister Cacciatore on how hard it is to get a gig, he agrees to let them perform at Zanzibar over the weekend.
Scene One: Bobby launches a mask initiative selling masks to support refugees in the Greek Islands of Lesvos.
Whistling: Aniket Chakrabarti and Anisha Chakrabarti
My Life: Act Five// Sometimes a Fantasy
Scene Two: Laura caves and calls James
Musical Stylings: Eshani Chakrabarti
Laura
I didn’t want to do it but I got too lonely I had to call you up in the middle of the night I know it’s awful hard to try to make love long distance But I really needed stimulation Though it was only my imaginationIt’s just a fantasy It’s not the real thing It’s just a fantasy It’s not the real thing But sometimes a fantasy Is all you needWhen am I gonna take control get a hold of my emotions Why does it only seem to hit me in the middle of the night You told me there’s a number I can always dial for assistance I don’t want to deal with outside action Only you can give me satisfactionIt’s just a fantasy It’s not the real thing It’s just a fantasy It’s not the real thing But sometimes a fantasy Is all you need
My Life: Act Five//Laura
Scene Four: Sung by James lamenting over the lame parts of being on campus and caught in between wanting to see her.
Musical Stylings: Macy Handy
James
Laura calls me
In the middle of the night
Passes on her
Fateful information
Then these careless fingers
They get caught in her vise
‘Til they’re bleeding
On my coffee table
Living alone isn’t all that
It’s cracked up to be
Oh, oh, oh
I’m on her side
Why does she push the poison on me?
Oh, oh, oh, oh
Laura
Has a very hard time
All her life has
Been one long disaster
Then she tells me
She suddenly believes she’s seen a very good sign
She’ll be taking
Some aggressive action
I fight her wars
While she’s slamming her doors in my face
Oh, oh, oh
Failure to break
Was the only mistake that she made
Oh, oh, oh, oh
Here I am
Feeling like a fucking fool
Do I react the way exactly
She intends me to?
Every time I think I’m off the hook
She makes me lose my cool
I’m her machine
And she can punch all the keys
She can push any button I was programmed through
Laura calls me
When she needs a good fix (ah)
All her questions
Will get sympathetic answers
I should be so immunized
To all of her tricks (ah)
She’s surviving
On her second chances
Sometimes I feel like this
Godfather deal is all wrong
Oh, oh, oh
How can she hold an umbilical chord
For so long?
Oh, oh, oh, oh
I’ve done everything I can
What else am I supposed to do
I’m her machine
And she can punch all the keys
She can push any button I was programmed through
Laura (Laura) loves me (loves me)
Even if I don’t care (if I don’t care)
That’s my problem
That’s her sacred absolution
If she had to
She would put herself in my chair (self in my chair)
Even though I
Faced electrocution
She always says
I’m the best friend that she’s ever had
Oh, oh, oh
How do you hang up on someone
Who needs you that bad?
Oh, oh, oh, oh, oh
My Life: Act Five//She’s Always a Woman To Me
Scene Five: While lamenting over Laura, James finds that he has all the while walked all the way to her dorm room. He is met with Laura asleep on the floor whilst making a 2020 version of We Didn’t Start the Fire. Remembering why he liked her in the first place, James carries Laura into bed and sings She’s Always a Woman To Me.
Cello: Andrew Byun
James
She can kill with a smile, she can wound with her eyes
And she can ruin your faith with her casual lies
And she only reveals what she wants you to see
She hides like a child but she’s always a woman to me
She can lead you to love, she can take you or leave you
She can ask for the truth but she’ll never believe you
And she’ll take what you give her as long as it’s free
Yeah she steals like a thief but she’s always a woman to me
Oh, she takes care of herself, she can wait if she wants
She’s ahead of her time
Oh, and she never gives out and she never gives in
She just changes her mind
And she’ll promise you more than the garden of Eden
Then she’ll carelessly cut you and laugh while you’re bleeding
But she brings out the best and the worst you can be
Blame it all on yourself ’cause she’s always a woman to me
Oh, she takes care of herself, she can wait if she wants
She’s ahead of her time
Oh, and she never gives out and she never gives in
She just changes her mind
She is frequently kind and she’s suddenly cruel
But she can do as she pleases, she’s nobody’s fool
And she can’t be convicted, she’s earned her degree
And the most she will do is throw shadows at you
But she’s always a woman to me
My Life: Act Five//And So It Goes
Scene Six: Laura wakes up back in her bed and responds to James’s She’s Always a Woman To Me with And So it Goes.
Piano: Hana Tatsutani Vocals: Eshani Chakrabarti
Laura
In every heart there is a room
A sanctuary safe and strong
To heal the wounds from lovers past
Until a new one comes along
I spoke to you in cautious tones
You answered me with no pretense
And still I feel I said too much
My silence is my self defense
And every time I’ve held a rose
It seems I only felt the thorns
And so it goes, and so it goes
And so will you soon I suppose
But if my silence made you leave
Then that would be my worst mistake
So I will share this room with you
And you can have this heart to break
And this is why my eyes are closed
It’s just as well for all I’ve seen
And so it goes, and so it goes
And you’re the only one who knows
So I would choose to be with you
That’s if the choice were mine to make
But you can make decisions too
And you can have this heart to break
And so it goes, and so it goes
And you’re the only one who knows
My Life: Act Five//Allentown
Scene Seven: Realizing she has snoozed through her West Wing alarm and is almost late for work, Laura makes a mad dash across campus! She is relieved her boss isn’t angry, in spite of her perpetually running three minutes late. Virginia invites her and James over to her home to make pumpkin bread and tells Laura about what Waterville was once like back as a mill town.
Musical Stylings: Claire Russell
Virgina
Well we’re living here in Allentown
And they’re closing all the factories down
Out in Bethlehem they’re killing time
Filling out forms
Standing in line
Well our fathers fought the Second World War
Spent their weekends on the Jersey Shore
Met our mothers in the USO
Asked them to dance
Danced with them slow
And we’re living here in Allentown
But the restlessness was handed down
And it’s getting very hard to stay
Laura:
Well we’re waiting here in Allentown
For the Pennsylvania we never found
For the promises our teachers gave
If we worked hard
If we behaved
James
So the graduations hang on the wall
But they never really helped us at all
No they never taught us what was real
Iron and coke
And chromium steel
And we’re waiting here in Allentown
Virgina
Every child had a pretty good shot
To get at least as far as their old man got
But something happened on the way to that place
They threw an American flag in our face
James
Well I’m living here in Allentown
And it’s hard to keep a good man down
But I won’t be getting up today
And it’s getting very hard to stay
And we’re living here in Allentown
My Life: Act Five//Where’s The Orchestra
Scene Eight: Discouraged about her musical and the future of Broadway, Laura daydreams about the show to empty, socially distanced seats.
Hello class, welcome to GO131. I’d like to start today’s lecture a little differently. I’m sure you’ve all received the email from the dean’s office and it seems as if you’re taking the notion of collective action seriously. Even though the future may seem daunting , I’d encourage you all to keep in mind these words from CS Lewis
“In one way we think a great deal too much of the atomic bomb. ‘How are we to live in an atomic age?’ I am tempted to reply: ‘Why, as you would have lived in the sixteenth century when the plague visited London almost every year, or as you would have lived in a Viking age when raiders from Scandinavia might land and cut your throat any night; or indeed, as you are already living in an age of cancer, an age of syphilis, an age of paralysis, an age of air raids, an age of railway accidents, an age of motor accidents.
In other words, do not let us begin by exaggerating the novelty of our situation. Believe me, dear sir or madam, you and all whom you love were already sentenced to death before the atomic bomb was invented: and quite a high percentage of us were going to die in unpleasant ways. We had, indeed, one very great advantage over our ancestors—anesthetics; but we have that still. It is perfectly ridiculous to go about whimpering and drawing long faces because the scientists have added one more chance of painful and premature death to a world which already bristled with such chances and in which death itself was not a chance at all, but a certainty.
This is the first point to be made: and the first action to be taken is to pull ourselves together. If we are all going to be destroyed by an atomic bomb, let that bomb when it comes find us doing sensible and human things—praying, working, teaching, reading, listening to music, bathing the children, playing tennis, chatting to our friends over a pint and a game of darts—not huddled together like frightened sheep and thinking about bombs. They may break our bodies (a microbe can do that) but they need not dominate our minds.”
-CS Lewis
We’ll explore a number of case studies this semester from the rise of ISIS in the Middle East, to the global trade in human body parts. Your first assignment will be a critical analysis on the Siege of Leningrad
From The Archives
My Life: Act Four// Pressure
Scene One: Zanzibar: Tony preparing for his date with Leyna on the way to Zanzibar (Bar in town owned by Mister Cacciatore, who is also a professor at Colby.
Saxophone: Danny Little
Sergeant O’Leary
Ali dances and the audience applauds
Though he’s bathed in sweat he hasn’t lost his style
Ali don’t you go downtown
You gave away another round for free
Tony
Me, I’m just another face at Zanzibar
But the waitress always serves a secret smile
She’s waiting out in Shantytown
She’s gonna pull the curtains down for me, for me
I’ve got the old man’s car
I’ve got a jazz guitar
I’ve got a tab at Zanzibar
Tonight that’s where I’ll be, I’ll be
Sergeant O’Leary
Rose, he knows he’s such a credit to the game
But the Yankees grab the headline every time
Melodrama’s so much fun
In black and white for everyone to see
Tony
Me, I’m trying just to get to second base
And I’d steal it if she only gave the sign
She’s gonna give the go head
The inning isn’t over yet for me, for me
I’ve got the old man’s car
I’ve got a jazz guitar
I’ve got a tab at Zanzibar
Tonight that’s where I’ll be
Tell the waitress I’ll come back to Zanzibar
I’ll be hiding in the darkness with my beer
She’s waiting out in Shandytown
She’s gonna pull the curtains down for me, for me
I’ve got the old man’s car
I’ve got a jazz guitar
I’ve got a tab at Zanzibar
Tonight that’s where I’ll be
My Life: Act Four// Pressure
Scene Two: Zanzibar: Johnny, Bobby and James arrive at Zanzibar. Tony shows them around the local watering hole and introduces them to characters at Mister Cacciatore’s.
Johnny
Hey there’s Mister Cacciatore!
Bobby
Wow the whole campus really is at bar night
James
No he owns Zanzibar
Bobby
I thought he was an IR professor at Colby?
James
Doesn’t that sound like exactly what an international relations professor would name a bar?
The boys go to order a drink at the bar, but the waitress is amidst a political discussion
Waitress
I don’t know how election day turned into election week. I mean, I swear it’s as if the media circus is gonna milk every last second of this never ending election. Blue and Red! Two Sides of the same coin!
The boys try to get her attention as Tony spots them across the bar
Tony
Hey there fellows
Bobby
Tonight’s your date with Leyna?
Tony
Yeah so long as she doesn’t change her mind
Johnny
Are you kidding? After our performance at the Chapel, I bet she’s smitten
Bobby
You just need a little liquid luck
James
That might be harder than expected. We were trying to get the waitress’s attention since we arrived
Tony
Don’t worry about it. John at the bar is a friend of mind. Gets me my drinks for free
The boys approach the bar
Davy
Well look who it is
Tony
Guys, this is pal my Davy
Davy
You know I actually went to Colby back in my day! Class of 71 before I became a seal
James
You were in the Navy?
Davy
Still am, young man!
Tony
Excited to hear Mister Cacciatore play tonight?
Davy
Oh sure, he’s the Piano Man.
Tony
I haven’t seen Ali?
Davy
Oh he’s almost surely with the rest of them outside of the bar. That reminds me I have some business to attend to. Cheers mates.
Srg
What’ll it be for you boys
James
I’ll have what Davy’s having
Srg
Coming right up
Mister Cacciatore
Welcome to Zanzibar folks. Even with the masks it means the world we can surround ourselves with sound and good company. I’m gonna start off our open mic. I spy some of my students who I’m hoping might share a song. Feel free to sign up for a slot at the bar
Tony
She’s still not here yet.
James
I’m sure she’ll be here any minute Tony!
My Life: Act Four// Pressure
Scene Three: Mister Cacciatore plays the harmonica and performs Piano Man at Zanzibar.
Harmonica/Piano:Alex Palantoni
Mister Cacciatore
It’s nine o’clock on a Saturday
The regular crowd shuffles in
There’s an old man sittin’ next to me
Makin’ love to his tonic and gin
He says, “son, can you play me a memory?
I’m not really sure how it goes
But it’s sad and it’s sweet and I knew it complete
When I wore a younger man’s clothes”
La, la, la, di, dee, da
La, la, di, dee, da, da, dum
Company
Sing us a song, you’re the piano man
Sing us a song tonight
Well, we’re all in the mood for a melody
And you’ve got us feelin’ alright
Tony
Now John at the bar is a friend of mine
He gets me my drinks for free
And he’s quick with a joke or to light up your smoke
But there’s some place that he’d rather be
He says, “Bill, I believe this is killing me”
As the smile ran away from his face
“Well, I’m sure that I could be a movie star
If I could get out of this place”
Oh, la, la, la, di, dee, da
La, la, di, dee, da, da, dum
Tony
Now Paul is a real estate novelist
Who never had time for a wife
And he’s talkin’ with Davy, who’s still in the Navy
And probably will be for life
And the waitress is practicing politics
As the businessmen slowly get stoned
Yes, they’re sharing a drink they call loneliness
But it’s better than drinkin’ alone
Company
Sing us a song, you’re the piano man
Sing us a song tonight
Well, we’re all in the mood for a melody
And you got us feelin’ alright
Mister Cacciatore
It’s a pretty good crowd for a Saturday
And the manager gives me a smile
‘Cause he knows that it’s me they’ve been comin’ to see
To forget about life for a while
And the piano, it sounds like a carnival
And the microphone smells like a beer
And they sit at the bar and put bread in my jar
And say, “man, what are you doin’ here?”
Oh, la, la, la, di, dee, da
La, la, di, dee, da, da, dum
Company
Sing us a song, you’re the piano man
Sing us a song tonight
Well, we’re all in the mood for a melody
And you’ve got us feelin’ alright
My Life: Act Four// Pressure
Scene Four: Everybody Loves You Now: Mister Cacciatore encourages Laura to play a number from her musical. Leyna calls and decides not to come. She says she’s swamped with work, but someone says they just saw her at the post office. Tony is crushed and James goes after him calling for Laura who is stuck because she’s just committed to performing for the bar. She asks James to play the piano, but he brushes her off and leaves.
Laura
This is from an independent study I’ve been working on this semester. It’s a great piano song, but it seems my piano player has fled the scene, so we’ll give it a go on the guitar.
Baby all the lights are turned on you
Now you’re in the center of the stage
Everything revolves on what you do
Ah, you are in your prime; you’ve come of age
And you can always have your way somehow
But everybody loves you now
You can walk away from your mistakes
You can turn your back on what you do
Just a little smile is all it takes
Yeah, you can have your cake and eat it too
Loneliness will get to you somehow
But everybody loves you now
Ah, they all want your white body
And they await your reply
Ah, but between you and me and the Staten Island ferry
So do I
All the people want to know your name
Soon there will be lines outside your door
Feelings do not matter in your game
Yeah, ’cause nothing’s gonna touch you anymore
So your life is only living anyhow
And everybody loves you now
Close your eyes when you don’t want to see
Stay at home when you don’t want to go
Only speak to those who will agree
Yeah, and close your mind when you don’t want to know
You have lost you innocence somehow
But everybody loves you now
Ah, you know that nothing lasts forever
And it’s all been done before
Ah, but you ain’t got the time to go to Cold Spring Harbor
No more
See how all the people gather ’round
Hey, isn’t it a thrill to see them crawl?
Keep your eyes ahead and don’t look down
Yeah, and lock yourself inside your sacred wall
This is what you wanted; ain’t you proud?
Cause everybody loves you now
Big Shot
Bass: Johnnie Gilmore
My Life: Act Four// Pressure
Scene Three: Big Shot: James turns back to play the piano for Laura, but by the time he arrives, she’s gone on without him. Frustrated about college amidst Covid and how Laura’s made along fine on her own, he storms off.
James
Well, you went uptown riding in your limousine
With your fine Park Avenue clothes
You had the Dom Perignon in your hand
And the spoon up your nose
And when you wake up in the morning
With your head on fire
And your eyes too bloody to see
Go on and cry in your coffee
But don’t come bitchin’ to me
Because you had to be a big shot, didn’t you
You had to open up your mouth
You had to be a big shot, didn’t you
All your friends were so knocked out
You had to have the last word, last night
You know what everything’s about
You and to have a white hot spotlight
You had to be a big shot last night
They were all impressed with your Halston dress
And the people that you knew at Elaine’s
And the story of your latest success
Kept ’em so entertained
Oh, but now you just don’t remember
All the things you said
And you’re not sure you want to know
I’ll give you one hint, honey
You sure did put on a show
Yes, yes, you had to be a big shot, didn’t you
You had to prove it to the crowd
You had to be a big shot, didn’t you
All your friends were so knocked out
You had to have the last word, last night
So much fun to be around
You had to have the front page, bold type
You had to be a big shot last night
Well, it’s no big sin to stick your two cents in
If you know when to leave it alone
But you went over the line
You couldn’t see it was time to go home
No, no, no, no, no, no, you had to be a big shot, didn’t you
You had to open up your mouth
You had to be a big shot, didn’t you
All your friends were so knocked out
You had to have the last word, last night
So much fun to be around
You had to have a white hot spotlight
You had to be a big shot last night
Big shot
Big shot
Big shot
Big shot
Big shot
Big shot
My Life: Act Four// Pressure
Scene Four: Honesty: While looking for Tony, James runs into Josephine, who was supposed to drop off her absentee ballots downtown with her girlfriend, but Rosalinda was nowhere to be found. She’s missed the deadline for mail in ballots and will have to vote in person James shares he has just recently spotted her at Zanzibar chatting with Johnny. Confused, they lament over their respective relationship anguishes: Tony that Leyna doesn’t feel the same way, Josephine that Rosalinda is losing interest and James that his temper is pushing Laura away.
James
If you search for tenderness
It isn’t hard to find
You can have the love you need to live
Josephine
But if you look for truthfulness
You might just as well be blind
It always seems to be so hard to give
Tony
Honesty is such a lonely word
Everyone is so untrue
Honesty is hardly ever heard
And mostly what I need from you
Josephine
I can always find someone
To say they sympathize
If I wear my heart out on my sleeve
But I don’t want some pretty face
To tell me pretty lies
All I want is someone to believe
Tony
Honesty is such a lonely word
Everyone is so untrue
Honesty is hardly ever heard
And mostly what I need from you
James
I can find a lover
I can find a friend
I can have security until the bitter end
Josephine
Anyone can comfort me
With promises again
James
I know
Tony
I know,
James
When I’m deep inside of me
Don’t be too concerned
I won’t ask for nothin’ while I’m gone
Josephine
But when I want sincerity
Tell me where else can I turn
‘Cause you’re the one I depend upon
Both
Honesty is such a lonely word
Everyone is so untrue
Honesty is hardly ever heard
And mostly what I need from you
Piano/Vocals: Sydney Ku
My Life: Act Four// Pressure
Election Scene
Leyna
Have other elections felt like this before Mister Cacciatore?
Mister Cacciatore
While I have to admit that between the onslaught of picketing and pointless posters that are by and large a huge waste of paper, I’ve never come across an election cycle quite like this one. Though no matter the year it does seem as if we’re driven to detest the other candidate.
Rosalinda
Maybe this struggle for the soul of the nation is just a strategy that’s been used one time too many
Leyna
It’s true, either way we’re electing the oldest candidates in the history of the presidency in an increasingly multicultural nation
Laura
I’m most worried about trust in the democratic process. Of the fifteen million people who became eligible to vote in this past election. If after this national mobilization to vote in spite of the pandemic and everything he’s done. What if we still lose?
Mister Cacciatore
Can you imagine a world without the social contract?
Rosalinda
I don’t know what incentive we’d have to uphold the social contract when we’re practically behaving like a failed state and our vote might not even count for anything
Mister Cacciatore
Roads? Schools? Private Property? Leviathan!
Leyna
“Man was born free, and he is everywhere in chains”
Mister Cacciatore
That’s actually Rousseau
Laura
I cannot imagine what society would devolve into if he were to be re-elected
Mister Cacciatore
He who must not be named?
Laura
I’m just tired of hearing his name
Leyna
I know what you mean about this notion of the newsreel. We’re all so overwhelmed by news, the misdoings start to blend together
Laura Sure when I start to go through it all: pulling out of the Paris agreement, pulling troops out of Syria
Leyna
The border wall. The Muslim ban!
Laura
I never would have imagined he’d win in 2016
Rosalinda
I never would have imagined he’d be worse than we thought he was gonna be
Mister Cacciatore
Ah so it seems we’ve begun to tackle the conundrum of a civil war?
Rosalinda
What would that even look like in the US anyways? Whoever’s in control of the military would win? If no other nation could challenge the global hegemon, what makes a militia think they could?
Mister Cacciatore
It wouldn’t be the first time in the history of the United States
Leyna
I still can’t get over that pie chart on our defense spending
Laura
Whilst we arm the rest of the world.
Rosalinda
Yeah, it’s like in Monopoly, the banker isn’t a real player. Imagine if the banker could build hotels and earn 200 each time past go. The game would be totally rigged?
Mister Cacciatore
You pose an interesting question.
Pressure
Scene Five: Election number. Sung by Leyna. Mailroom scene with all the absentee ballots. Turns into a company tap dance number.
Scene One: Suspended Step Exhibition illustrating Europe’s Refugee Crisis
Bobby
Well I’m on the Downeaster Alexa
And I’m cruising through Block Island Sound
I have charted a course to the vineyard
But tonight, I am Nantucket bound
We took on diesel back in Montauk, yesterday
Left this morning from the bell in Gardiner’s Bay
Like all the locals here, I’ve had to sell my home
Too proud to leave, I worked my fingers to the bone
So I could own my Downeaster Alexa
And I go where the ocean is deep
There are giants out there in the canyons
And a good captain can’t fall asleep
I got bills to pay and children who need clothes
I know there’s fish out there, but where? God only knows
They say these waters aren’t what they used to be
But I got people back on land who count on me
So if you see my Downeaster Alexa
And if you work with the rod and the reel
Tell my wife I am trolling Atlantis
And I still have my hands on the wheel
Now I drive my Downeaster Alexa
More and more miles from shore every year
Since they tell me I can’t sell no stripers
And there’s no luck in swordfishing here
I was a bay man like my father was before
Can’t make a living as a bay man anymore
There ain’t much future for a man who works the sea
But there ain’t no island left for islanders like me
Yeah, yeah, yeah, oh
Yeah, yeah, yeah, oh
Yeah, yeah, yeah, oh
Yeah, yeah, yeah, oh
SUSPENDED STEP SOLIDARITY SCENE:
Bobby (Ciaran McEnroe) Leyna (Hana Tatsutani) James (Thomas Phelps) Laura (Eshani Chakrabarti)
Bobby
I guess it’s hard to wrap my brain around. Thousands are met with these violent conditions and left stranded to struggle for their lives.
Leyna
To my understanding after the EU signed that deal with Turkey, it effectively ended the summer of migration and allowed the state to reclaim its monopoly on violence.
James
They collectively punish thousands of economic and political refugees whose only crime is trying to reach safety in Europe.
Bobby
I mean the camps are practically prisons for migrants.
Laura
In our class on Mobility and Mutual Aid with the Oak Fellow, we’re interviewing activists and refugees and organizing materials for an online archive. It’s tag taught by my Global Studies professor, who also moonlights as a documentary filmmaker, and The Oak fellow this semester.
Leyna
He’s an Afghan-Greek refugee/activist who helped found City Plaza Hotel.“No Pool, No Minibar, No Room Service, But Still the Best Hotel in Europe” .
James
It was a hotel?
Leyna
Activists and refugees squatted the hotel and turned it into a refugee accommodation space, housing thousands of stranded people from 2016 to 2019.
Laura
My favorite professors have always been the ones who led interesting lives and decided a teaching stint was in the cards in place as magical as Maine. Plus, it’s really refreshing to have an in person class.
James
The walls of the Dining Hall were totally bare before the political cartoon exhibition. Hopefully it will start a conversation in the community on the crisis
Bobby
I guess I just wish that we could do something more. I think Suspended Step really got people thinking after the fires in Moria.
James
My professor put it really well in class, he said the tragedy is not that Moria has burned again; the tragedy is that places like Moria exist at all.
Laura
I just wish there was something tangible we could do.
Leyna
We could sell tshirts in the dining hall?
James
I don’t know how inclined students would be to invest in another tshirt.
Bobby
Why don’t we make masks?
Laura
I am perpetually running out of masks.
Leyna
Selling something that everyone needs supporting refugee solidarity. Seems like a really meaningful way to show our support amidst social distancing.
James
Maybe we could get Colby to match the money we make from masks?
Laura
Sure! This is a student led initiative inspired by the Oak Fellow. I’ve increasingly begun to think we make the college look good anyways
Leyna
Sure and with ten million dollars committed to Covid it feels as if there are funds to be found.
Bobby
How much should we charge for the masks?
James
We should charge at least 12 so we break even.
Leyna
That’s too high. The double digits will dissuade people from buying.
Laura
What about $9 a mask?
James
That’s less expensive than the masks in the bookstore.
Bobby
We’ll table in Foss outside the exhibition and send all the proceeds to solidarity efforts in Lesvos.
Leyna
We’ll send along a google doc to sign up for different collectives dedicated to tabling, mask masking and promotion.
Laura
Excellent work team!
My Life: Act Three River of Dreams
Scene Two: Sung by James. He picks up a letter at the post office with Leyna, from a friend who has taken the semester off to drive across the country. It makes James question if he’s made the right decision returning back to school. He reads the letter aloud.
James
James, we were always friends
From our childhood days
And we made our plans
And we had to go our sep’rate ways
I went on the road
You pursued an education
James, do you like your life?
Can you find release?
And will you ever change?
Laura
Hey tune in Still Rock and Roll To Me WMHB 89.7FM!
James
Back in the booth?
Laura
My electric chair.
James
Last week was the best of the british invasion? What have you got in store for us this week?
Laura
Wow you tuned in?
James
Well I actually heard it playing the shuttle
Laura
That’s so exciting! In theory my show should play in the dining halls too.
James
You are single handedly spreading the rock and roll gospel through the college!
Laura
This week I’m going track by track through Act One of my Billy Joel Musical.
James
How’s the musical coming?
Laura
There are so many great characters in his songs, it practically writes itself.
James
Well what’s it about?
Laura
What do you mean? It’s about Billy Joel
James
Gotta jet. Best of luck in your electric chair.
James
When will you write your masterpiece?
Do what’s good for you
Or you’re not good for anybody
Are you still in school?
Living up to expectations?
James, you were so relied upon
Everybody knows how hard you tried
Hey – oh, look at what a job you’ve done
Carrying the weight of family pride
James, you’ve been well behaved
You’ve been working hard
But will you always stay
Someone else’s dream of who you are?
Do what’s good for you
Or you’re not good for anybody
James
I went on the road
You pursued an education
James, how you gonna know for sure?
Everything was so well organized
Hey, oh now everything is so secure
And everybody else is satisfied
James, do you like your life?
Can you find release?
And will you ever change?
When will you write your masterpiece?
Do what’s good for you
Or you’re not good for anybody
Angry Young Man
Angry Young Man: Musical Stylings Will Oliver
My Life: Act Three// Downeaster Alexa
SCENE 3: James returns back to his room lamenting over being stuck in rural Maine, rather than recognizing the best parts of being on campus during Covid. Prelude/Angry Young Man sung by all the men in the show.
Tony
There’s a place in the world for the angry young man
With his working class ties and his radical plans
He refuses to bend, he refuses to crawl
He’s always at home with his back to the wall
And he’s proud of his scars and the battles he’s lost
And he struggles and bleeds as he hangs on the cross
And he likes to be known as the angry young man
James
Give a moment or two to the angry young man
With his foot in his mouth and his heart in his hand
He’s been stabbed in the back, he’s been misunderstood
It’s a comfort to know his intentions are good
And he sits in a room with a lock on the door
With his maps and his medals laid out on the floor
And he likes to be known as the angry young man
Mr Cacciatore
I believe I’ve passed the age of consciousness and righteous rage
I found that just surviving was a noble fight
Sergeant John O’Leary
I once believed in causes too
I had my pointless point of view
And life went on no matter who was wrong or right
Bobby
And there’s always a place for the angry young man
With his fist in the air and his head in the sand
And he’s never been able to learn from mistakes
So he can’t understand why his heart always breaks
James
But his honor is pure and his courage as well
Tony
And he’s fair and he’s true and he’s boring as hell
Bobby
And he’ll go to the grave as an angry old man
Mister Cacciatore
There’s a place in the world for the angry young man
With his working class ties and his radical plans
He refuses to bend, he refuses to crawl
He’s always at home with his back to the wall
And he’s proud of his scars and the battles he’s lost
And he struggles and bleeds as he hangs on the cross
And he likes to be known as the angry young man
My Life: Act Three River of Dreams
Scene Four: Mary Low Coffee House Scene exploring how students have navigated the campus culture amidst Covid. With New York City about to enter a second lockdown, Josephine is still in a New York State of Mind.
Musical Stylings: Sydney Ku
My Life: Act Three// Suspended Step
Scene Five: All You Want To Do Is Dance. James hears Laura on the radio and visits her in the booth. Show glimpses of different places the show is playing on the radio on campus (Brenda and Eddie driving around with the radio on/ Leyna Dancing)
James:
Oh baby, you don’t get turned on by the radio.
Oh baby, you got nothing to play on your stereo.
“Why don’t the Beatles get back together?”
“Why don’t nobody sing of romance?”-
Oh baby, all you wanna do is dance.
Oh baby, I think you are lost in the seventies.
Oh baby, “The music she ain’t what she used to be.”
You don’t understand what they’re saying,
You’ve given it every chance
Oh baby, all you wanna do is dance.
Tony:
And you never messed around with dangerous drugs,
You were all getting sick on beer-
Johnny:
And you didn’t get any (unless you went steady and made out for a year).
Waiting for Laura to arrive, James goes to fetch her out of the studio for an adventure.
James:
Well you can hide away honey, in your rock and roll dreams,
You can stand by your blue suede shoes-
But the party is over,
And I’m getting tired of waiting for you.
Laura:
Oh baby, “Where are the oldies they used to play?”
James
Oh baby, you want to crawl back into yesterday,
Johnny:
You don’t want to deal with the future,
Tony:
You don’t want to make any plans
James:
Oh baby, all you wanna do is dance.
Choreography/Dance: Emma Bradley
My Life: Act Three
Scene Six: River of Dreams: The gang (James and Laura/Johnny and Bobby) run into Johnny after he realizes Rosalinda has a serious girlfriend. They are going to Moxie Falls and encourage him to tag along and enjoy the magic of Maine.
Percussion (NKS) Vocals (Eshani, Anisha and Manny Fresh)
Johnny
I’m so embarrassed
James
What did you expect you never spoke to her
Bobby
But ohhhh Rosalinda!
Johnny
I don’t know if there’s anyone right for me at this school
Laura
There are 15 people at this school
Bobby
I’ve had just about enough of these Covid couples
James
Bitter Bobby!
Laura
This is a small enough school that you can meet everyone and decide who your people are
James
Tag along why don’t ya?
Johnny
Where to?
Laura
to the River of Dreams!
Bobby
Or Moxie Falls rather and experience the magic of Maine
James
It is one of the best part of going to school in this part of the country and I didn’t notice until senior year
Johnny
Why not?
Group Number
In the middle of the night
I go walking in my sleep
From the mountains of faith
To the river so deep
I must be looking for something
Something sacred I lost
But the river is wide
And it’s too hard to cross
Even though I know the river is wide
I walk down every evening and I stand on the shore
I try to cross to the opposite side
So I can finally find out what I’ve been looking for
Lorimer Chapel’s chimes were just recently renovated. In spite of the challenges around Covid, for many students, this semester is the very first chance to hear the bells toll on hour.
SCENE ONE: Tony begins his work study as a custodian. He notices Leyna working at the post office.
Tony
Hey I think I got a package.
Leyna
Sure! Class year?
Tony
There should be something there for Tony.
Leyna
Excuse me? We sort the packages by class year.
Tony
I’m not entirely sure off the top of my head.
Leyna
We have been getting in a thousand packages a day since the pandemic! Do you at least know your mailbox number or your class year perhaps?
Tony
My apologies. I can imagine with these lines out the door.
Leyna
It has been pandemonium
Tony
I’m on a work study for the semester, so I’m not sure if there’s a class year on the package, but I’ve got this concert I”m playing at in a little with some friends and there’s a guitar strap in the package that I’ve been trying to track down.
Leyna
Let’s investigate. What’s the name of your band?
Tony
It’s a work in progress. Somewhere in between the Goonies and Raiders of the Lost Ark.
Leyna
That’s a great name!
Tony
Like in Indiana Jones.
Leyna
Please. I was Indian Jones for Halloween.
Tony
That’s pretty clever. Excuse me Professor Jones.
Leyna
My favorite’s gotta be Last Crusade. 007 as Indiana Jones’s father! He’s already like a fusion of James Bond and the Man With No Name but to have Sean Connery!
Tony
You’re a Sergio Leone fan as well?
Leyna
Sure! I’m a sucker for spaghetti westerns.
Josephine
Hey Leyna, I lost my mailbox key can you grab my ballot for me?
Leyna
Yes absolutely!
Laura hands Tony his package from the top of the pile, clearly having capitalized on the chance to chat
Tony
What are the odds you’d want to go to this concert?
Leyna
Why not?
Tony
You call that a yes?
Leyna
I wouldn’t miss it for the world!
My Life: Act Two// You May Be Right, I May be Crazy: Uptown Girl
SCENE TWO: Sung By Tony about Leyna. Backup guys are Johnny and Bobby mirroring The Longest Time and Say Goodbye To Hollywood, singing on the way to the Interfaith concert.
Flute: Sophya Guwn
Tony
Uptown girl
She’s been living in her uptown world
I bet she’s never had a backstreet guy
I bet her mama never told her why
I’m gonna try for an uptown girl
She’s been living in her white bread world
As long as anyone with hot blood can
And now she’s looking for a downtown man
That’s what I am
And when she knows
What she wants from her time
And when she wakes up
And makes up her mind
She’ll see I’m not so tough
Just because
I’m in love with an uptown girl
You know I’ve seen her in her uptown world
She’s getting tired of her high class toys
And all the presents from her uptown boys
She’s got a choice
Uptown girl
You know I can’t afford to buy her pearls
But maybe someday when my ship comes in
She’ll understand what kind of guy I’ve been
And then I’ll win
And when she’s walking
She’s looking so fine
And when she’s talking
She’ll say that she’s mine
She’ll say I’m not so tough
Just because
I’m in love
With an uptown girl
She’s been living in her white bread world
As long as anyone with hot blood can
And now she’s looking for a downtown man
That’s what I am
Uptown girl
She’s my uptown girl
You know I’m in love
With an uptown girl
My uptown girl
You know I’m in love
With an uptown girl
My uptown girl
You know I’m in love
With an uptown girl
My uptown girl
You know I’m in love
With an uptown girl
My Life: Act Two// You May Be Right, I May be Crazy: Only The Good Die Young
SCENE THREE: Interfaith Fellow Community Candle Lighting and Concert. Held at the top of Lorimer Chapel Hill
Laura
Welcome to the Interfaith Fellow Community Candle Lighting and Concert. Thank you for joining us for some songs in a spiritual setting, in a moment of togetherness amidst social distancing. After our student performers we’re going to light our candles in celebration of community and the chance to live and learn together. Up first we have “The Good, The Bad and The Ugly”!
Johnny
Who told Laura that was our name?
Tony
Leyna likes Leone movies
Johnny
We might as well be the Band With No Name
Bobby
I’ve been through the desert on a Horse with No Name
Johnny
That’s not even a good one by America
Tony
Do you see her
Laura
Any day now fellas?
Wooden Jelly Spoon and Peanut
My Life: Act Two// You May Be Right, I May be Crazy
SCENE THREE: Interfaith Fellow Community Candle Lighting and Concert. The band performs Only the Good Die Young. Held at the top of Lorimer Chapel Hill.
Johnny, Bobby and Tony
Come out Virginia, don’t let ’em wait
You Catholic girls start much too late
Aw but sooner or later it comes down to faith
Oh I might as well be the one
Well, they showed you a statue, told you to pray
They built you a temple and locked you away
Aw, but they never told you the price that you pay
For things that you might have done
Only the good die young
That’s what I said
Only the good die young
Only the good die young
You might have heard I run with a dangerous crowd
We ain’t too pretty we ain’t too proud
We might be laughing a bit too loud
Aw but that never hurt no one
So come on Virginia show me a sign
Send up a signal and I’ll throw you the line
The stained-glass curtain you’re hiding behind
Never let’s in the sun
Darlin’ only the good die young
Woah
I tell ya
Only the good die young
Only the good die young
You got a nice white dress and a party on your confirmation
You got a brand new soul
Mmm, and a cross of gold
But Virginia they didn’t give you quite enough information
You didn’t count on me
When you were counting on your rosary
(Oh woah woah)
They say there’s a heaven for those who will wait
Some say it’s better but I say it ain’t
I’d rather laugh with the sinners than cry with the saints
The sinners are much more fun
You know that only the good die young
I tell ya
Only the good die young
Only the good die young
Well your mother told you all that I could give you was a reputation
Aw she never cared for me
But did she ever say a prayer for me? oh woah woah
Come out come out come out Virginia don’t let ’em wait
You Catholic girls start much too late
Oh sooner or later it comes down to faith
Oh I might as well be the one
You know that only the good die young
I’m telling you baby
You know that only the good die young
Only the good die young
Only the good
Only the good die young
My Life: Act Two// You May Be Right, I May be Crazy: Lullabye (Goodnight My Angel)
Sung by Grace Stanfield Accompanied by Burns Stanfield
SCENE THREE: Rosalinda sings Goodnight My Angel (Lullaby) at the Interfaith Fellow Concert. with Pastor Burns on the keys.
Rosalinda
Goodnight my angel, time to close your eyes
And save these questions for another day
I think I know what you’ve been asking me
I think you know what I’ve been trying to say
I promised I would never leave you
Then you should always know
Wherever you may go, no matter where you are
I never will be far away
Goodnight my angel, now it’s time to sleep
And still so many things I want to say
Remember all the songs you sang for me
When we went sailing on an emerald bay
And like a boat out on the ocean
I’m rocking you to sleep
The water’s dark and deep, inside this ancient heart
You’ll always be a part of me
Goodnight my angel, now it’s time to dream
And dream how wonderful your life will be
Someday your child may cry, and if you sing this lullaby
Then in your heart there will always be a part of me
Someday we’ll all be gone
But lullabies go on and on
They never die
That’s how you and I will be
My Life: Act Two// You May Be Right, I May be Crazy: Rosalinda’s Eyes
SCENE FOUR: Sung by Johnny after hearing Rosalinda sing at the Interfaith Concert. His crush on Rosalinda is a testament to all those college crushes that are mostly worked up from the people that you run into because you happen to be cohabiting the same place. He doesn’t even talk to her, but he’s convinced he loves her (unbeknownst to him she has a serious girlfriend).
Designed by Hana Tatsutani
My Life: Act Two// You May Be Right, I May be Crazy: You May Be Right
SCENE FIVE: Duet between Laura and James. The Interfaith Concert is supposed to end with a community candle lighting where everyone celebrates making it through the semester, but it is hijacked with fireworks set off by James to spice up the event. The commotion causes a small fire, ending the concert and creating a flirty fight between Laura and James.
Musical Stylings by David Mansfield and Anisha Chakrabarti
James:
Friday night I crashed your party
Saturday I said I’m sorry
Sunday came and trashed me out again
I was only having fun
Wasn’t hurting any one
And we all enjoyed the weekend for a change
Laura:
You may be right
James:
I may be crazy
But it just may be a lunatic you’re looking for
Laura:
Turn out the light
Don’t try to save me
You may be wrong for all I know
But you may be right
James:
Remember how I found you there
Alone in your electric chair
I told you dirty jokes until you smiled
You were lonely for a man
Laura:
I said take me as I am
‘Cause you might enjoy some madness for a while
James
: Now think of all the years you tried to
Find someone to satisfy you
I might be as crazy as you say
Laura:
If I’m crazy then it’s true
That it’s all because of you
James:
And you wouldn’t want me any other way
Laura:
You may be right
I may be crazy
James:
But it just may be a lunatic you’re looking for
Laura:
It’s too late to fight
James:
It’s too late to change me
Laura:
You may be wrong for all I know. But you may be right
Laura and James ride off and resign to give it a try..couldn’t go back to the Greasers, best they could do was pick up their pieces. We always knew they would both find a way to get by….
You may be wrong but you may be right
You may be wrong but you may be right
You may be wrong but you may be right
You may be wrong but you may be right
You may be wrong but you may be right
My Life: Act Two// You May Be Right, I May be Crazy: Innocent Man
Scene Six: Johnny goes to knock at Rosalinda’s door and is met with the surprise that Rosalinda has a serious girlfriend. Humiliated, he laments over his single status amidst a sea of Covid couples in college.